Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian work collectively to create installations, paintings, and stop-motion animations that transform found materials in order to critically examine contemporary history-in-the-making. The Dubai-based artists’ animations are composed from thousands of individual works on paper, in which they collage and paint over printed stills from internet videos and television newscasts. By detaching news imagery from its original context, this body of work estranges and opens up its encoded meanings while interrogating the entertainment value of reportage and the voyeuristic role of the spectator as a passive consumer of mass-media spectacle. The artists’ ultimate aim is to break down the “othering” effect of virtual bystanding and promote recognition of our social interdependency and the value of solidarity.