The leg recurs in The Recline (2020), a large tapestry in which the limb morphs and mirrors itself, conjuring a reclining female form, poised above a cascade of loose, unravelled (or not yet woven) linen threads. The work exemplifies not only the notion of repetition—the leg emerging over and over in diverse media—but also the artist’s challenge to the traditional craft of weaving.
The Recline, like the other works in the exhibition, exudes at once a political vitality and a sensual poetics of materiality.