El Dorado: Vikram Divecha
In December 2017, Divecha chanced upon a projectionist’s block calendar diary among the refuse of the recently decommissioned El Dorado Cinema in Abu Dhabi. First opened in the 1990s on the capital’s Electra Street, the El Dorado in its later years catered to South Asian audiences. From the banal events noted in the diary, Divecha conjured a profound reflection on alienation, exclusion, and remembrance, blurring fact and fiction, for the genesis of an invisible projectionist, named simply ‘K.’
Demolished cinemas like the El Dorado have seen a surge of nostalgia, as residents bemoan the disappearance of architectural and cultural heritage. In El Dorado, Divecha attempts to archive not a place, but a life.
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, March 25), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, May 12), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, August 3), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, August 3), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, March 2), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, December 31), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, September 10), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, July 22), 2022
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Vikram Divecha, Untitled Scene (Aimless Calligraphy, June 30), 2022
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Vikram Divecha, Screenplay (excerpt 1), 2022
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Vikram Divecha, Screenplay (excerpt 2), 2022
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Vikram Divecha, Screenplay (excerpt 3), 2022
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Vikram Divecha, The League Times Daily, 1982 January 12 (excerpt), 2022
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Vikram Divecha, Page (January 10), 2022
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Vikram Divecha, Page (January 20), 2022
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Vikram Divecha, Page (July 28), 2022
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Vikram Divecha, Page (October 22), 2022
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Vikram Divecha, Floor plan (Level G), 2022
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Vikram Divecha, Floor plan (Level 1), 2022