' It was, first and foremost, visually delightful, with its sleek surfaces, bright colors and hectic, aggressive abundance. It had a tickling psychological edge, a blend of zaniness and violence. And it was accessible in an I-could-do-that-too way. This was art that didn’t rely on genius skills or elite training or expensive materials. ' , says the author commenting on Hassan Sharif's art.
The Materials Man of the Emirates
HOLLAND COTTER, The New York Times , 28 December 2017